Showing posts with label Fandom. Show all posts
Showing posts with label Fandom. Show all posts

May 30, 2010

ABC Podcast, episode #95 plus visual aids

This episode of Awesomed By Comics is brought to you by HTTC, a new segment on the show that you just really don't want to know the origin of. We say goodbye to legendary runs on Wonder Woman and Power Girl, welcome back the Avatar of Death, cheer Jonathan Hickman's wise protest in Fantastic Four, and discuss whether Rise of Arsenal #3 is in fact the worst comic ever written, or just the second worst. Also make sure to stay through the end of the show to hear us take our cats to Taco Bell. This is not a euphemism for anything.

Download/subscribe to the show here or in the right sidebar, and leave an iTunes review! Tell us what you think in the comments, or visit our show forum.

Also, see below for more listener-named Pokemon and some special fan art!

Cover(s) of the Week

Aaron's pick, from X-Men Origins: Emma Frost #1, cover by Benjamin Zhang Bin:


Evie's pick, from Power Girl #12, cover by Amanda Conner:

Panel(s) of the Week

Evie's pick, from Power Girl #12, by Jimmy Palmiotti, Justin Gray and Amanda Conner:


Aaron's pick, from Gotham City Sirens #12 by Tony Bedard and Peter Nguyen:


Also: Danny Wall's Mike Allred-Rob Liefeld mashup (explanation here):


And, more prizes for submitting discussion questions!

For Lydia:

David:

And LOTR Dan:

July 6, 2009

BOYS NITE OUT

An X-Factor Fanfic (re: Bird's comment below)

by Rob Liefeld

"Yo Dude," shouted Shatterstar to Rictor, who was washing his car.

"Hey, my man!" Rictor shouted back. He reached out his hand to catch the beer that Shatterstar had just tossed him.

"So I was thinkin, the rest of the gang is away, what do you say you and me hit the town and pick up some fine ladies tonight?" Shatterstar said, as he sheathed his glistening double-swords and crossed his arms, one of which was a foot and a half shorter than the other one on purpose.

"Ladies, you say?" Rictor's ears perked up. Rictor's fondness for women and many sexual exploits had earned him the nickname 'The Missionary' back in high school. "You thinkin what I'm thinkin?"

"BOYS NITE OUT!" they shouted together, then high-fived.

"You wanna take the Camaro or the T-Bird?" Rictor asked.

"Definitely the Camaro" Shatterstar answered, as Rictor smiled, reached into the fourth pouch from the left on his right pant leg, and whipped out his keys and his Van Halen mixtape...

...

(just a quick note to anyone who's visiting here for the first time via any of the links to this here story, check out our 50th anniversary podcast over there ---> for some similar gags, although obviously in audio format.)

...

March 13, 2009

It's like after Stonewall, or something

I take a short bus ride (the ride is short, not the bus, meanies) from the train to my house after work, and tonight's trip was a bit shocking. The guy on my left was reading Y: The Last Man, I was reading Love & Rockets, and the couple on my right was flipping through Wizard (or something) and talking about Rick Remender and Walking Dead. This was a half-full public bus, driving through Jersey City. Is this what it means to be in a post-Watchmen-movie world?

March 9, 2009

The Nerd Beat

I've had a number of people ask when I'll be reviewing Watchmen on the blog, and the truth is that I have read so many Watchmen reviews, I'm kind of oversaturated with the concept. However, Aaron and I did do a dedicated bonus podcast about it yesterday, which is less than 30 minutes, so I recommend downloading that (right sidebar) as a substitute. But here's the once sentence: We enjoyed it a lot, but thought it maybe didn't quite communicate its many messages to people who hadn't read the book and therefore might have seemed crazy and bad to anyone unprepared for the onslaught.

For something a little different, though, I did write a track-by-track of the soundtrack for Billboard.com, which includes context and history of each song, as well as its significance to the original book (if applicable). And, because in between business stories and Morrissey reviews I've naturally taken over the nerd niche at the magazine, here's a review of They Might Be Giants' "Flood" show last weekend.

February 18, 2009

Happy Awesomedversary to Us!

God, doesn't it seem like just yesterday that I was like OMG LUKE AND JESSICA!!1!11! in Awesomed By Comics' very first post? Well, it was just yesterday, if days were in fact years. The point is, this blog launched a year ago today, yay! Apparently, we share a birthday with Daily Cross Hatch, which is completely coincidental but totally cool.

I started this site not because the world needed another goddam comics blog, but because outside of the writing I do for my day job, I had been blogging aimlessly for five years and wanted to focus on an actual topic that excited me other than, like, "breakfast". In the past year, I've met a bunch of wonderful comics people both virtually and in person, launched the ridiculously fun and increasingly downloaded ABC Podcast with Aaron, started writing about comics for a variety of publications, and generally found a lot more to love (and sometimes hate, but that's what we do right!) about the medium. Oh and we got married, but that's unrelated (except that we took our guests to see Iron Man, on Free Comic Book Day, but that was sort of a coincidence).

So, many thanks to all of you for your visits, support, linking, recommendations, blahbitty blahbitty all that good stuff. I have to go do a thing right now, but hats off to you and the start of year two.

October 3, 2008

Suckers

To all the people who claim not to be at all confused by Batman RIP because obviously its an ingenious homage to 60 years of character history and a deeply calculated depiction of the toll Batman's life has taken on his psyche, I have a message from Grant Morrison:



(Panel from Batman #680)

September 3, 2008

Arrested Development

Last night we watched The Next Avengers: Heroes of Tomorrow, the new DVD feature about some hypothetical Avengers offspring who get spirited away after Ultron kills their parents to a Truman Show-esque bubble in the arctic circle where they are raised by a silver-haired Tony Stark. It was actually pretty good, if predictable at every turn, but cleverly scripted and nicely designed with an appropriate level of humor and melodrama. I apologize if the language in my review is a little rigid, there were a lot of robots. Anyway, Thor's daughter Torunn was particularly endearing, and it's kind of funny to think about Tony Stark raising all these superkids on his own. The movie did take sort of unecessary liberties with things like claiming that Tony built Ultron--there was some justification for it but not quite enough, he could have just been around Hank Pym a lot at the time or something. But otherwise it's a fun story for those of us who will inhale any animated superhero adaptation the companies bother to throw together.

It also confirmed a suspicion that has been mounting this week, which is that I am an 11 year-old boy. Or at least the comics companies think I am. If you listened to the podcast this week (episode #12, right over there in the sidebar), you know that Aaron and I are both big suckers for the Marvel Adventures line, which is frequently more satisfying on an issue-by-issue basis than the "regular" books (they're obviously not as gratifying in the "big universal picture" department, being mostly one-shots out of continuity, but you know, eh). This must also mean that Robert Kirkman things I'm an 11 year-old boy, because he's under the impression that Marvel Adventures talks down to kids. What they actually do is talk fairly head-on to the absurd side of my 31 year-old lady sense of humor. I definitely love me some "grown-up" comics too, but they're not better or more important (most of them anyway), they just serve a different chunk of my entertainment-consuming brain. And some of them, like the most recent issue of Superman Batman, alternately serve both.

Unlike Rich Johnston's tongue-in-cheek suggestion that he would buy the newly announced DCU Elementary for his daughter only, I will say without qualification that I will eat that up with a shovel. It has baby Lobo for cryin' out loud. Yes, shrinking superheroes to kiddie size is a gimmick pounded into the ground a million times over, but that's because it humanizes them to the level of "I may be an invulnerable black belt with eye beams and microwave powers, but there's a part of me that did and sometimes still does have a preoccupation with Hot Wheels and pudding pops." It can be done poorly, for sure, but there's something about the juxtaposition of ultimate power with immaturity and baby fat that tends to strike a little bit of gold for some dumb reason. And even the books like Marvel Adventures Super Heroes, where the heroes are still adults, put them in situations where they are awkward and distracted and vulnerable in ways that having super powers would not necessarily eliminate.

The irony is that calling something "all-ages" signals that it's primarily for kids, possibly driving away adult consumers, when in reality a lot of this stuff truly is all ages--great fun for grown-ups and incidentally appropriate and accessible for kids. Well, except Super Friends, which I find to be genuinely dumbed down. And yeah, if someone said I could only read X-Men: First Class or Ex Machina but not both for the rest of my life, I'd choose the latter. But I'd whine about it, and probably pull their hair, and not in the it-means-I-like-them way.

August 12, 2008

Have I Got a Rehash of a Story for You

Update: Apparently I'm an asshole, and the adaptation of a previous story has been plenty acknowledged in reviews and the bonus DVD itself, as Johanna points out in the comments. So read the post below if you like to snicker at ignorant, reactionary fan babble.

We've been Netflixing the pants off of Batman: The Animated Series for the past year or so, and got a new disc this week for the second half of the 1998-99 Season Four (or Season Two of The New Batman Adventures, whatever organizational rules you go by).

The first episode on this disc is called "Legends of the Dark Knight," and is about a group of Gotham kids who all claim to have some insider knowledge of what the Batman is really like, and try to one-up each other with stories of their own first- or second-hand amazing interactions with the Caped Crusader.

Sound familiar?

Not that I've scoured the internet for relevant discussions, but I've read quite a lot about the Batman: Gotham Knight anime film (in addition to watching it twice), and I've never seen a single person comment on the fact that Josh Olson's chapter, "Have I Got A Story For You," is a fairly direct rip-off of that 10 year-old BTAS episode. There are a variety of substantive differences of course, and Olson's story was one of my favorite on the DVD, but part of that had been my impression of its originality. I suppose it's an idea that multiple people could have independently, and stories are adapted from other stories all the time, but I'm still a little let down that there was no acknowledgment that one of the stories is just an update of an old show.

Anyway, I feel obnoxious for even mentioning it, but it kind of bummed me out, especially since I liked the anime so very much. I kind of feel like a teenage Fugees fan in 1996 who goes to college and hears Roberta Flack for the first time. Or whatever.

June 24, 2008

Good words

Oh, one more thing today--I'm pleased as punch to see how many people are checking out the podcast, and we've gotten some great feedback. If you are in fact someone who listened and enjoyed to any extent, I would be extremely grateful if you'd drop a quick review on the iTunes page. You can also do it if you hated it, but if you hated it I'm guessing you wouldn't waste your time coming back here or bothering to review it. Unless you really really detested it, in which case, go crazy! People like to read that stuff, too.

June 12, 2008

As long as Big Papi stays put

So under mysterious circumstances, Robin and Batman and the Outsiders writer Chuck Dixon is "no longer working for DC in any capacity," and people are wigging out. The reactions all fall into one of these categories:

1) Aw, that's too bad, I like his work on those books.
2) DC has their heads up their butts like always and don't know something great when they have it and they probably wanted to stifle his creativity and he probably walked out on them, totally.
3) Dropping those books from my pull list, obvs, too bad you don't get my money on those anymore DC, sucks to be you.
4) Good riddance, homophobe.

All of these things all mean the same thing, though, and that's "Ooo! Corporate drama that will truthfully only affect my life microscopically! I'm gonna get in it!"

Here's my take: I've been liking those books quite a bit. I also think that maybe there are other people who could do as well, and we'll just have to see, and if the titles go down hill then that will be disappointing. I have a knee-jerk unavoidable personal bias against anyone who has publicly declared his social conservatism, and a well-reasoned bias against someone who believes those views enable him to write "objectively" about characters with "liberal rage," but I still enjoy Dixon's work and don't wish a career downturn on anyone. Also, comics writers are like baseball players. If you lost sleep when Damon went to the Yankees, you need a little perspective. Ok, that was a bad example, because I just started to involuntarily seethe. But you get my point. Best of luck to all.